Editing Modernism in Canada


Posts Tagged ‘conference’

February 24, 2016

CFP: Editing Modernism/Modernist Editing

We are seeking papers for ‘Editing Modernism/Modernist Editing’, a one-day conference to be held at Edinburgh Napier University (Merchiston Campus) on Friday the 13th of May 2016. The conference invites scholars to share their research about and methodologies for textual editing of modernist literature. ‘Textual editing’ broadly refers to developments in the traditional research and practices involved in discovering, contextualizing, and preparing literary works for publication, for both scholarly and other readers. However, it also concerns problems and methods inherent to the production and dissemination of modernist digital editions and digital archives. We welcome proposals in any area of modernist scholarship that engages with ‘editing’, the archive, and editorial practice.

This conference will speak to the recent resurgence in interest in the modernist text as editorial object and the various platforms through which readers encounter modernist text. In modernist studies, several large-scale editorial projects are currently underway, including the Dorothy Richardson and the Wyndham Lewis Editions projects, and last year saw theComplete Prose of T.S. Eliot: Vol. II win the Modernist Studies Association book prize. These are paralleled in recent digital archives and editions such as the Modernist Versions Project and Infinite Ulysses. The question of how contemporary editorial practice can draw on modernist practice is of keen interest, as textual editing was often a key self-reflexive concern for modernist authors, many of whom were publishers and editors themselves. From the collaborative editorial practices that underpinned such works as T.S Eliot’s The Waste Land and Djuna Barnes’s Nightwood to the production of modernist little magazines, innovative modernist editorial practices continue to interest scholars as they take on the role of contemporary editors to texts such as these.

The conference will feature a selection of panel papers; a roundtable discussion joined by Dr Bryony Randall (University of Glasgow), Dr Jason Harding (Durham University), and another guest TBC; and two keynote speakers:

Professor Scott McCracken (Keele University) will present a talk about the scholarly edition as cultural production. Prof McCracken is the Principal Investigator for the Richardson Editions Project, which is funded by the AHRC and which is leading to the publication of scholarly editions of Richardson’s 13-volume Pilgrimage with Oxford University Press.

Dr Nathan Waddell (University of Nottingham) will present a talk titled ‘Problems, Possibilities, Polemics: Taking the Arrows of Wyndham Lewis’. Dr Waddell is on the Editorial Board of the Oxford University Press Complete Edition of Wyndham Lewis’s fiction and non-fiction.

For panel paper consideration, please submit a 200-word abstract and brief biography to Tara Thomson att.thomson2@napier.ac.uk by the 1st of April.
The day’s programme will be followed by a wine reception. Registration will be limited, so we ask that all participants register in advance at http://editingmodernism.eventbrite.co.uk.

Please send any inquiries to Tara Thomson at t.thomson2@napier.ac.uk.

Dr Tara Thomson
School of Literatures, Languages and Cultures
University of Edinburgh
21 Buccleuch Place
Edinburgh EH8 9LN
Email: tara.thomson@ed.ac.uk
Tel: +44 (0)131 650 4368
Twitter: @situationniste

July 6, 2010

THATCamp London: Day 1

**Cross-posted from my blog.**

Today is the first day of THATCamp London, and I can already feel my inner geek singing with joy to be back with the DH crowd. In the pre-un-conference coffee room, I met up with some friends from DHSI (hello Anouk and Matteo!). Here are my “written on the fly” conference notes (to borrow from Geoffrey Rockwell’s methodology for his DHSI conference report):

– We begin in a beautiful lecture hall, the KCL Anatomy Theatre and Museum. I already feel the intellectual juices flowing.
– Dan Cohen provides introductions and a history of THATCamp. Notes that unstructured un-conferences can be incredibly productive. (We are creating, synthesizing, thinking). He recalls that the first THATCamp was controlled chaos.
– Dan setting some ground rules. He is adamant, “It’s okay to have fun at THATCamp!”  (Examples: A group at one THATCamp who played ARG with GPS, another created robotic clothing!)
– We are asked to provide a 30 second to 1 minute summary of the proposals before we vote. Other sessions are proposed as well. Looks like a great roundup.

Sessions related to my own research that I am interested in attending:
social tools to bring researchers and practitioners together
living digital archives
Participatory, Interdisciplinary, and Digital
critical mass in social DH applications
– visualization

In my mind, the winner of the best topic/session title is “Herding Archivists.”

The beta schedule of the conference is now up: http://thatcamplondon.org/schedule/

Session 1: Data for Social Networking
The main questions and ideas we consider:
– What kind of methods/tools are people using for analysing data?
– Ethical issues in data collection and gathering?
– How do you store ‘ephemeral’ digital content
– What do we want to find out from our social network data?
– What Tools for Social Network Interrogation and Visualization?
– Our wishlist for working with social network data …

You can also check out the comprehensive Google Doc for the session.

Session 2: Stories, Comics, Narratives
– Major issues: 1) Standards, 2) Annotation, 3) Visualization
– narratives and semantic technologies
– difficulty of marking up complex texts such as comic books, tv shows
– Dan Cohen, how might we go about standardizing or making available different documents? Is markup always the answer?
– One participant asks, does it matter what format the document is in as long as the content is there?
– Once again, standardization is a key question. Once the data is collected, shouldn’t it be made available?
– Question of IP and copyright is also raised, and generates some heated discussion.
– “Semantic Narratives” and the BBC’s Mythology Engine.

Session 3: Digital Scholarly Editions
– A productive round-table on the future of the digital scholarly edition.
– Major issues: standardization, resources, audience

For discussion notes, please see the Google Doc for the session.

Session 4: Using Social Tools for Participatory Research Bringing Researchers and Practitioners Together
– Framework for academics to connect
-Finding connections, drawing on enthusiasm and community: http://en.logilogi.org/#/do/logis and http://www.londonlives.com.
– We need tools that collate information and resources

See the Google Doc for the session.

All in all, it was a very productive day.

And just for fun: Doctor Who Subtitle Search (Thanks, Anouk!)