This post is written by Melissa Dalgleish, Katie Wooler, and Kaarina Mikalson.
We’ve been back from DHSI for a few weeks, and it’s only now that I feel like I’ve properly processed what I learned there. This year, I decided to take a less code-heavy course then I did the last few times I attended, and embark upon Visual Design for Digital Humanists. The broadest interpretation of digital humanist applies here, because anyone who works in the humanities and uses a computer (i.e. anyone) would find this course useful.
Like basically every course at DHSI, VDDH suffers from the problem of trying to cram a vast amount of material into five days, and trying to gear that material to people with a wide range of backgrounds and expectations of the course. That, however, is also a strength, since we got an introduction to the principles of design, gestalt theory, color theory, the vocabulary and practice of critique, user experience and interaction, web design, typography and font design, and Adobe design software. But for those who already have a strong background in design theory and Adobe’s Creative Suite software, the class would likely be boring, as the course material is geared towards beginners.
Despite our obviously brilliant and experienced instructors, the course often simultaneously felt like too much and not enough: too much to learn, too much emphasis on some topics and not others, too little time to put what we’d learned into practice. As Kaarina notes, she didn’t like the over emphasis on critique and communication with designers. Too often, class time veered off course into a discussion between the three instructors as experienced designers, and she easily lost track of the conversation.
But despite its shortcomings, in the weeks after DHSI I realized just how much I’d learned. I submitted my personal blog for a professional critique, and when opinion came back, realized that it wasn’t anything I didn’t already know. I reformatted my dissertation, and recognized while I was doing it that I was applying principles of communicative design I’d learned at DHSI. And I returned to the splash page for my digital edition with fresh eyes and a new sense of what it should look like and what its aesthetics and layout could do. For Kaarina, the course got her thinking about her user personas and what design will best suit their needs. The course also was useful for thinking beyond the material and into the navigation/organization aspects of her digital project, and for giving her some tools and theory for dealing with that shift.
The class is slightly better suited for people who have a designer working for them rather than people who are trying to do the design work themselves, since the course started out with lectures that provided tools for communication with designers and took a little while to get to teaching practical skills. However, the lectures were still a great starting point for DIY-designers as far as gleaning inspiration and being forced to think critically about the purpose of design. In the digital humanities–in all of the humanities–form and function create meaning hand in hand. If you’re interested in enhancing your awareness of how that works on the visual level, or improving your visual vocabulary, VDDH is the course for you.
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