Editing Modernism in Canada

Community

October 9, 2014


Death in the Barren Ground

We here at the George Whalley project are pleased to announce the availability on the George Whalley website of a section of one of Whalley’s most riveting broadcasts, “Death in the Barren Ground.” This 30-minute audio drama was aired on CBC radio’s Wednesday Night on 3 March 1954, and was re-broadcast on the same program in June 1954, by CBC’s International Service in December 1957, and on CBC’s The Human Condition in  April and June 1967. It appeared on television over still photographs on CBC’s Explorations on 28 October 1959, and was repeated in this form on CBC TV’s Q for Quest on 6 June 1961. It is one of the many professional broadcasts Whalley prepared for the CBC between 1953 and 1971, the full bibliography of which can be found here.

“Death in the Barren Ground” tells the dramatic story of the last journey of John Hornby (1880-1927), an English explorer best known for his travels in the Northwest Territories. The story begins with the discovery of the bodies of Hornby and his travelling companions Edgar Christian and Harold Adlard—all of whom, as the CBC Times description puts it, “died slowly and painfully of privation … in what explorer Samuel Hearne called ‘The Barren Ground’”—by a party of geologists traveling the Thelon River in 1928.

Death in the BG - CBC program page

The drama unfolds on a framework provided by Edgar Christian’s diaries, which were found in the stove of the ill-fated party’s cabin on the Thelon. These diary excerpts carry the bulk of the narrative, with a narrator and some invented speech from both Hornby and Christian filling it out. A number of other important historical documents are woven throughout: a diary of Hornby’s (reported in Christian’s own), Hornby’s will, unsent letters from Christian to his parents, and the 1929 report of the G-division commanding officer of the RCMP on the burial of the bodies and the collection of the documents.

Whalley’s interest in the last journey of John Hornby and in Edgar Christian’s role as its de facto historiographer was longstanding. In 1962, Whalley would publish a biography of Hornby, titled The Legend of John Hornby.

legendofjohnhornby cover

This was the first published text to include the letters Christian wrote to his mother and father as he was dying, in which he implores “Please don’t blame dear Jack.”

In 1980 this biography was followed by Death in the Barren Ground: The Diary of Edgar Christian, a newly edited version of Christian’s diary, which had previously been published in 1937 as Unflinching: The Diary of Edgar Christian.

Unflinching title pUnflinching pages

unflinching title page

Whalley’s reading of the 1937 Diary was the inspiration for the radio and television broadcasts, as well as his later work on Hornby and Christian. In 1971 Whalley took a trip to the Hornby cabin and visited the sparsely marked sites where the bodies of Hornby, Christian, and Adlard are buried.

GW93-1971HornbyPoint

Find the full audio version of “Death in the Barren Ground” here. In this version from CBC’s Wednesday Night, the narrator is Frank Paddy, Edgar Christian is played by Douglas Rain, John Hornby by Alan King, and Inspector Trundle by Jim McRae. Happy listening!

 


October 7, 2014


Project Decision Making

It is one month into the academic year, and, even as someone who is working outside of academia, I’m getting that nagging feeling that October is here, the transition-month of September has passed, and it is time to put some momentum behind projects that were dormant over the summer or ideas that have been waiting for the new season in order to materialize.

I received some useful resources from a management and governance workshop for non-profits, including a sample decision-making grid. The grid lists qualities and objectives that a project should fulfill in keeping with the organization’s mandate, and potential projects can be rated from one to five for how well they meet each requirement in order to benefit the overall organization. While there is no set score that a potential project should achieve, the grid is a useful tool for thinking through a project’s feasibility and projected outcomes. It is definitely a tool that I will apply to my bpNichol digital edition project (which is broken into three sub-projects), to see whether or not I should change my approach, especially after meeting certain obstacles during my MA while trying to design a website. The grid could easily be tailored to determine if an editing project is a good fit for EMiC, if a certain editorial approach is appropriate for an individual project, or even if a particular work should be included in a collection based on how it contributes to the objectives of the finished edition.

A sample decision-making grid for potential EMiC projects is pictured below and also attached as a Sample Project Decision Grid PDF.

Page 1 from Sample Project Decision GridPage 2 from Sample Project Decision Grid-2

 


October 3, 2014


Call for Nominations: CSDH/SCHN Outstanding Achievement Award for Computing in the Arts and Humanities

Call for Nominations

CSDH/SCHN Outstanding Achievement Award for Computing in the Arts and Humanities

The CSDH/SDCH Outstanding Achievement Award for Computing in the Arts and Humanities acknowledges a Canadian researcher or a researcher at a Canadian institution who has made a significant contribution, over an extended career, to computing in the arts and humanities, whether theoretical, applied, or in the area of community building. The recipient will be invited to accept the award and to address the society in a plenary session of the annual conference at Congress, which will be held in Ottawa in the spring of 2015.

This award is generally given to someone who has made a substantial and prolonged contribution to the community, typically a senior researcher. We have awarded it to teams. We have awarded it posthumously in recognition of a lifetime contribution. We also recognize people who have served the community in a service capacity and therefore may not have a faculty position. For a list of previous recipients, see http://csdh-schn.org/activities-activites/outstanding-awards-prix/

Nominations of up to 500 words must be submitted by October 31, 2014. Only current current members of CSDH/SCHN are eligible to submit nominations. Nominations must be sent by email to the chair of the CSDH/SCHN Awards Committee (dean.irvine@dal.ca).

The Awards committee will compile a short list, confirm with nominees whether they are willing to be considered, and request the submission of supporting material (CV, letters of support, access to contributions or projects if not readily accessible) by December 15, 2014. Adjudication of the award will be conducted by the CSDH/SDCH Awards Committee (Dean Irvine, Susan Brown, Juan Luis Suarez, Kevin Kee, and Janelle Jenstad), who may consult the CSDH/SCHN Executive or external members of the community for assistance in evaluating applications. Selection will be made by the end of December 2014. An announcement will be made in spring 2014, along with the release of the CSDH/SCHN conference program for Congress 2015.


September 26, 2014


EMiC @DHSI2015

We are pleased to announce that Editing Modernism in Canada will once again be partnering with the Digital Humanities Summer Institute (DHSI) in order to offer opportunities for project members to participate in DH courses offered over three weeks at the University of Victoria: June 1st-5th 2015, June 8th-12th 2015, and June 15th-19th 2015.

Registration for DHSI is now open. This year will see an expansion from the regular 1 week institute to 3 weeks of courses, in part to support those enrolled in the Graduate Certificate in Digital Humanities at U Victoria. Participants may choose to attend 1, 2, or all 3 week-long sessions. In 2015, 40 courses ranging from old favourites to exciting first-time ventures will be on offer. Each week of DHSI will include a week-long training workshop, and the core week (June 8th-12th) will also include morning colloquia, lunchtime unconferences, and Birds-of-a-Feather sessions. Throughout the institute, keynotes will be delivered by Malte Rehbein (U Passau), David Hoover (NYU), Claire Warwick (UC London), and Constance Crompton (UBC Okanagan). Tuition scholarships are available for students, and other EMiC participants (co-applicants, collaborators, postdocs, partners) can register at a discounted cost of $300.00 for students and $650.00 for non-students (for registration before April 1st 2015).

EMiC Director Dean Irvine will be teaching “Digital Indigeneity” at DHSI 2015 during the core week. For a full list of courses, to register, to apply for a tuition scholarship, or for more information, please go to dhsi.org. Make sure to register with an EMiC discount code (EMiC-Student or EMiC-Non-Student).

Please note that although we can offer discounted registrations for DHSI 2015, we cannot offer subventions for travel or accommodations. There is no application process this year. You should register directly through the dhsi.org website and arrange for your own transportation and accommodations. Students are strongly encouraged to take advantage of the generous DHSI tuition scholarship program.

In the meantime, keep posting your DH stories on the EMiC blog. And watch out for the public launch of the Modernist Commons later this fall. We’re in the process of trying to arrange on-site workshops for early adopters of the Modernist Commons; if your institution may be interested in hosting a workshop, contact us at emic@dal.ca.


September 19, 2014


Whalley Conference site and posters

At the George Whalley website a section is now dedicated to the conference in honour of Whalley to be held at Queen’s University, 24-26 July 2015. An attractive poster for each of the three days has been designed by Jaspreet Tambar, a graduate student at Queen’s University.

The call for papers for the first day is available here.

Poster design by Jaspreet Tambar.

Poster design by Jaspreet Tambar.

The call for papers for the second day is available here.

Poster Design by Jaspreet Tambar

Poster Design by Jaspreet Tambar

The call for papers for the third day is available here.

Poster design by Jaspreet Tambar

Poster design by Jaspreet Tambar

The deadline for proposals is 15 January 2015.


September 15, 2014


George Whalley Film Biography

A short film biography of George Whalley is now available here. It has also been published on Youtube here. It is meant to be a concise introduction to Whalley’s life and works.

The film production is by Evan Wainio, an undergraduate film student at York University. He used photographs from the Whalley Estate, Queen’s University Archives, Bishop’s University Archives, Victoria University Library (Toronto), the Imperial War Museum, the German Federal Archives, and the Naval Historical Foundation. Some individuals also provided photos for the film.

The narrator is Brian Brockenshire. I wrote the script.

With some luck, the film will bring to Whalley’s life and writings some renewed attention leading up to the conference in honour of the centenary of his birth to be held at Queen’s University, 24-26 July 2015.

 

 


September 11, 2014


CFP: Codex-tensions: Canadian Writing Beyond the Book-Machine

CFP: Codex-tensions: Canadian Writing Beyond the Book-Machine

Member-Organized Session for ACCUTE 2015 (30 May – 2 June 2015) in Ottawa

Panel organized by Christopher Doody (Carleton U) & Eric Schmaltz (York U) CFP, Codex, FINAL

Considering the relationship between production, distribution, and consumption, Gilles Deleuze and Felix Guattari argue that “there is no such thing as relatively independent spheres or circuits.” Without exception, Canadian writing is circumscribed by socio-economic, ideological, and techno-specific parameters when it is created, disseminated, and read. As a result, some authors have been prompted to productively critique these conditions and explore the limits of the publishing system that they necessarily rely upon. As evidenced by bill bissett’s experimental blewointment magazine and press to Anne Carson’s accordion-style Nox to Sachiko Murakami’s online collaboration Project Rebuild and Christian Bok’s The Xenotext––texts that effectively push the boundaries of inscription and the codex––many Canadian authors have challenged the material limits and conventions of literary production, distribution, and consumption. This panel is interested in the ways that Canadian writers and their works have navigated, or are navigating, networks of socio-politics, the marketplace, and the writing machines upon which they rely and/or resist.

Possible topics include (but are not limited to):

  • Writing with resistance against and/or compliance with analog and digital writing machines
  • The ways in which analog and digital writing machines have transformed Canadian literature in the twentieth and twenty-first century
  • Termination and/or capitulation of small presses and literary magazines
  • The materiality of the text: book design, art-books, anti-books, ephemera, digital-publishing, self-publishing, etc.

Interested parties are invited to send the following: A file containing a 300-500 word proposal, without personal identifying marks; a file containing a 100 word abstract, a 50 word biographical statement, and the 2015 Proposal Submissions Information Sheet. Please see conference details on the ACCUTE website. Send submissions to Eric Schmaltz (schmaltz@yorku.ca) and Christopher Doody (christopherdoody@cmail.carleton.ca).

Deadline: 1 November 2014


September 5, 2014


Friday Roundup

It’s been a busy week for everyone with back to school and back to teaching, and a busy week in DH and modernism on the web. Here’s a roundup of events, CFPs, and jobs that the EMiC community might find of interest:

  • The College English Association, a gathering of scholar-teachers in English studies, welcomes proposals for presentations for our 46th annual conference, on the theme of IMAGINATIONS. Conference: March 26-28, 2015 | INDIANAPOLIS, INDIANA Submission deadline: 1 November 2014 at http://cea-web.org/ The special panel chair for Digital Humanities (E. Leigh Bonds <leigh.bonds@case.edu>) welcomes proposals for papers and panels addressing the following topics:
    • DH projects (digital collections/archives, digital editions, interactive maps, 3D models, etc.)
    • DH research tools (text analysis, visualization, GIS mapping, etc.)
    • DH pedagogy (teaching methodologies, curriculum development, project collaboration, etc.)
    • DH centers (supporting research, consulting services, teaching faculty/students, etc.)
    • Digital Project Management
    • Data Curation
    • The Future of DH
  • The Northeast Modern Language Association (NeMLA) is holding its 2015 conference in Toronto, and there are a number of panels of interest to (or organized by members of) the EMiC community. Abstracts are due September 30: https://nemla.org/convention/2015/cfp.html
  • Chronicle Vitae has recently launched a series of discussion groups that are already bringing scholars and alternative academics across many fields. You can check out the existing ones here, and there are more to come: https://chroniclevitae.com/groups 
  • DHSI 2015 is still a ways off, but the new three-week course schedule and course descriptions (including a number of courses designed and taught by the members of the EMiC community) are already online. Scope out the offerings here: http://dhsi.org/courses.php
  • If you haven’t yet taken a look at the incredible work being done by the Modernist Magazines Project Canada, you really should: http://modmag.ca/

Happy weekend!


September 3, 2014


CFP: Virginia Woolf in the Modern Machine Age

CFP: Virginia Woolf Miscellany

Issue #88, Fall 2015: Virginia Woolf in the Modern Machine Age

The Virginia Woolf Miscellany invites submissions of papers that address the role of everyday machines in the life and/or works of Virginia Woolf. From typewriters and telephones to gramophones and the wireless; from motor-cars and combat aeroplanes to trains and department store elevators; from cameras and film projectors to ranges and hot water tanks, the commonplace technologies of the modern machine age leave their trace on Bloomsbury. To what extent are these and other machines represented, hidden, implied, avoided, embraced, or questioned by Woolf and her circle and characters? What is the place of labour and mass production, or the role of the handmade or bespoke object, in the context of such technologies and the desires with which they are implicated? What are the ramifications for the individual’s everyday navigation of modernity, domesticity, and/or community? Alternatively, what is the influence of everyday technologies in our own interactions with Woolf and her writings? Please submit papers of no more than 2500 words to Ann Martin (ann.martin@usask.ca) by 31 March 2015.

 woolf


August 20, 2014


Upcoming CFPs and DH Events

LIBERAL ARTS SCHOLARSHIP AND TECHNOLOGY SUMMIT

Penn State is hosting its annual Liberal Arts Scholarship and Technology Summit (LASTS) next month, an event that brings together liberal arts faculty, graduate students, librarians and education technologists to share and explore digital pedagogy and scholarship. Co-sponsored by the College of the Liberal Arts and the University Libraries, the event includes workshops, presentations, breakout sessions, and featured keynote speakers.

LASTS will take place on Friday, September 12 and Saturday, September 13 in the Paterno Library’s Foster Auditorium.

If you would like to participate, please see our current call: http://sites.psu.edu/lasts/present/

LASTS-caro

BIRDS-OF-A-FEATHER GATHERING, SYDNEY, AUSTRALIA

 

Call for Proposals

Research Foundations for Understanding Books and Reading in the Digital Age: Emerging Reading, Writing, and Research Practices

An INKE-hosted Birds-of-a-Feather Gathering

8 December 2014 | State Library of New South Wales | Sydney, Australia

 

Proposals due: 15 September 2014

Digital technology is fundamentally altering the way we relate to writing, reading, and the human record itself. The pace of that change has created a gap between core social/cultural practices that depend on stable reading and writing environments and the new kinds of digital artefacts – electronic books being just one type of many – that must sustain those practices now and into the future.

This gathering explores research foundations pertinent to understanding new practices and emerging media, specifically focusing on work in textual and extra-textual method, leading toward:

·      theorizing the transmission of culture in pre- and post-electronic media;

·      documenting the facets of how people experience information as readers and writers;

·      designing new kinds of interfaces and artifacts that afford new reading abilities;

·      conceptualizing the issues necessary to provide information to these new reading and communicative environments;

·      reflecting on interdisciplinary team research strategies pertinent to work in the area;

·      and much more.

Presentations addressing these and other issues in relation to emerging and/or transforming (digital) infrastructures, in regional, national, and international contexts are welcome.

We invite paper proposals that address these and other issues pertinent to research in the area.  Proposals should contain a title, an abstract (of approximately 250 words, plus list of works cited), and the names, affiliations, and website URLs of presenters; fuller papers will be solicited after acceptance of proposals, for circulation in advance of the gathering to registered participants. We are pleased to welcome proposals in all languages in which our community works, and note that the chief working language of past gatherings has been English. Please send proposals on or before 15 September 2014 to Alyssa Arbuckle at alyssaarbuckle@gmail.com.

 

CALL FOR CHAPTERS: READING MODERNISM WITH MACHINES

From data mining and visualization to mapping and topic modeling and beyond, digitally enhanced studies of literature and culture offer a series of computational methodologies for use in literary and cultural criticism. Using these approaches, scholars can ask new questions of literature and culture, while also intervening in existing debates. And with the publication of a variety of anthologies, handbooks, and treatises addressing the Digital Humanities in general, we now have the opportunity to focus attention on specific periods and movements in literary and cultural history. Reading Modernism with Machines aims to bring together the most rigorous and exciting modernist criticism to have been conducted using computers.

Each submission should offer a case study of modernist literary and cultural analysis conducted using a computational approach. While methodologies should be outlined, the majority of each submission should be reserved for humanistic discussions, which should be based on, or supplemented by, any electronic analyses. Submissions will be judged based on 1) the innovation and sophistication of the digital tools used in the analysis, 2) the essay’s broader impact on modernist studies, and 3) the degree to which computational analysis and literary/cultural interpretation merge cohesively.

Submissions: Initial proposals of ~500 words are due by September 31st, 2014

(Where appropriate, sample graphics, tables, tools, or datasets may also be submitted with proposal.)

Final submissions of ~6,000 – 8,000 words are due by January 31st, 2015

Submissions should be sent to James O’Sullivan (jco12@psu.edu) and Shawna Ross (smross3@asu.edu)

alt-academy-logo

NEW PROJECT: GRADUATE TRAINING IN THE 21ST CENTURY

MediaCommons and #Alt-Academy have just launched a new project, Graduate Training in the 21st Century, which focuses on the challenges, the potential, and the pragmatics of the graduate school years that precede the move into one of many academies.

Its editors, Melissa Dalgleish (York University) and Daniel Powell (King’s College London and University of Victoria), are especially interested in the changes to graduate education that are already taking place, or that should take place, in response to the proliferation of post-PhD pathways.

The project’s front page can be found here: http://mediacommons.futureofthebook.org/alt-ac/cluster/graduate-training-21st-century, while the longer introduction can be seen here: http://mediacommons.futureofthebook.org/alt-ac/pieces/building-alternative-academy.

We are seeking contributors to our first cluster of essays, entitled “Beyond the Proto-Monograph: New Models for the Dissertation.” This cluster seeks to explore how the prototypical graduate project in the humanities—the dissertation—is changing in the face of the digital turn, shifting job markets, and new visions for the academy. The call for papers can be found here: http://mediacommons.futureofthebook.org/alt-ac/pieces/call-papers-beyond-proto-monograph-new-models-dissertation

We also welcome proposals or contributions on any aspect of graduate training, higher education reform, and post-degree careers, especially from current graduate students. We can be reached at gradtraining21c@gmail.com.